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Jane Chan 陳維真
Jane Chan is a lighting designer, specializing in theatre, dance and opera with a passion for closely collaborating with multi-media designers. She is a member of United Scenic Arts, Local 829, working between New York and DC metro area. She is also a Member of the 2015 Lincoln Center Theater Directors Lab.
Design credits include: That Face (Baltimore Center Stage); The Little Mermaid (Stamford All-School Musical); The Widow of Tom’s Hill (59E59 theatre); Carousel (Maryland Hall); Lotus Variations in Harmony (Kennedy Center); Take Me Out, (1st Stage); The Waiting Room, In Time of Roses, Be Still My Heart (University of Maryland); A Year of Frog and Toad, James and the Gian Peach, Pinkalicious the Musical (Hangar Theatre); Talk to Me Like the Rain, Applicant (Williamstown theatre Festival)
Assistant design credits include: The Lion King (Shanghai Walt Disney Grand Theatre); The Band’s Visit, Hold Onto Me Darling (Atlantic Theatre); Romeo and Juliet(Hartford Stage); Of Good Stock (Manhattan Theatre Club); The Spoils (The New Group); Tamburlaine (Theatre for A New Audience); This is Our Youth (Steppenwolf Theatre Company); Betrayal (Broadway); Chinglish (Broadway); Chimerica(Studio Theatre, DC)
Jane is original from Macau, China. She holds a BA in Communication Design from the University of Buffalo and MFA in Lighting design from the University of Maryland. She is fluent in English, Cantonese and Mandarin. Given the multicultural background, she confident to bring in more diversity into this industry.
That Face, Baltimore Center Stage, MD
The Little Mermaid, Stamford, CT
The Widow of Tom Hill, 59E59, NYC.
Lotus Variations in Harmony, Kennedy Center.